We have a serious question — why doesn’t Feed Me get more credit? His sound is brazenly different, a feat so rarely accomplished in a scene fueled by imitation. He makes an effort to release high quality EPs, rather than one off remixes of pop garbage, and anyone who has seen his live shows will attest to their unique-ness, yet somehow Feed Me continues to attract only a niche amount of fans. It’s a disservice to one of the most skilled producers in electronic dance music today. His production style may not be for everyone but the scope of his sound speaks volumes to his talent – it goes far beyond heavy bass and groaning wobbles. On this mix, Feed Me features a slew of originals including his heavy hitting remix of AWOLNATION’s “Sail” and a handful of brand new tracks from this prolific producer. If you are looking for your bass fix this Tuesday morning, look no further – Feed Me delivers, just like he always does.
You May Also Like
- DJ Fresh is a highly-respected veteran in the UK bass world. Whether it be his pioneering [...]
- Krewella rose to fame on a wave of commercial bass music success, but have since revamped their [...]
- Back in 2005, Pendulum changed the face of drum 'n' bass with their groundbreaking album, Hold [...]
- MTA Records' stake in the UK drum & bass circuit is not to be overlooked. Launching into [...]
Icon Collective has solidified its reputation as the premier educational facility for electronic music production on the West Coast. The North Hollywood arts school has become a breeding ground for the next generation of talent, as evidenced by its formidable track record, which includes the likes
Gryffin releases a music video for his debut single, featuring Josef Salvat, “Heading Home”
The San Francisco Entertainment Commission recently approved a permit filed by The Armory to begin hosting shows in its 4,000-person drill court.
Skrillex has teamed up with fellow LA-based producer TEAM EZY and vocalist NJOMZA to create an emotional 4-minute garage track.
There is an inherent duality in Alex Ridha. Onstage, Boys Noize subjects his audience to a musical experience that ranges from vitriolic, to cerebral, to robotic, and everything in between.
Three years ago Ultra Europe was little more than proof of concept, a viability test for the growing Croatian tourism industry and Ultra’s worldwide ambitions.