Just in time for the start of his January tour and new EP scheduled for a January 14th release, Feed Me has served up some sneak peaks of what he’s been working on since releasing his Escape from Electric Mountain EP in February of this year. “Death by Robots,” “Gravel,” and “Dialup Days” represent the quintessential Feed Me style through and through. Never one to pigeonhole himself to one particular sound, he has done well to adapt to the ever-evolving dance music landscape without sacrificing his own personal brand. On “Death by Robots” guttural wobbles are swapped with squeaky clean electro house chops and heavily vocoded vocals while “Gravel” remains appropriately gritty, with a powerful driving bass line and aggressive top line synth work. “Dialup Days” is Feed Me at his funkiest, with a shuffling UK garage-tinged bass line emblazoned with 8-bit arpeggios. Listen to the 3 previews after the break, and grab some tickets to see Feed Me and his teeth when they come through a city near you.
You May Also Like
- Coming off his Ultra Music Festival debut, Kandy delivers a satisfying collaboration dubbed [...]
- When Flux Pavilion and Doctor P join forces, big things are known to happen. As the two [...]
- With his newest remix of "Drift and Fall," by Madsonik, Kill The Noise matches the [...]
- Stalwart artists on the bass-inclined side of EDM have rallied behind Snails and his raunchy [...]
The SubPac M2 is the latest creation in SubPac’s line of tactile bass systems. An innovative new piece of gear from Los Angeles-based StudioFeed, it’s essentially a high-end wearable subwoofer. We recently had the opportunity of trying the M2 out,
April signaled the return of many of our favorite producers. Both Galantis and RL Grime unveiled their first original material of the year. Meanwhile, the album trails for some of 2016′s biggest records started to heat up. Flume unveiled two new singles, while Gorgon City brought along some amazing new club material from their sophomore album. On top of this, April brought along some amazing remixes from the likes of Kill the Noise, Solomun, and Kaskade.
The San Francisco Entertainment Commission recently approved a permit filed by The Armory to begin hosting shows in its 4,000-person drill court.
Skrillex has teamed up with fellow LA-based producer TEAM EZY and vocalist NJOMZA to create an emotional 4-minute garage track.
There is an inherent duality in Alex Ridha. Onstage, Boys Noize subjects his audience to a musical experience that ranges from vitriolic, to cerebral, to robotic, and everything in between.
Three years ago Ultra Europe was little more than proof of concept, a viability test for the growing Croatian tourism industry and Ultra’s worldwide ambitions.