On the brink of his debut album and several Ultra Music Festival appearances, Afrojack has lightened up to enjoy studio time and the result is “Bangtrap,” a trap edit of his long-time introduction, “Bangduck.” This isn’t the first time Afrojack has shifted gears to move away from electro house, last summer he gave away his remix for Wonder Girls’ “The DJ Is Mine” — or what he calls, Afrodubstep. Reworking his own production this time, he introduces Afrotrap, another persona of the musically charismatic Nick van de Wall.
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Eric Prydz doesn’t deal in subtleties. Rather, every move he makes is a grand gesture, building towards a larger vision at stake. The latest piece of the Swedish producer’s story is arguably his most important offering yet: his debut artist album. For an artist nearly twenty years into his career, it’s a seemingly odd circumstance — but then again, Prydz has never been one to conform to the beaten path.
MANIK and option4 ‘s new project 909 Til Infinity finds the two pairing up for a boundary-pushing, party-starting sound that combines elements of techno, house and fun into one big steaming mess of dancefloor madness.
Skrillex has teamed up with fellow LA-based producer TEAM EZY and vocalist NJOMZA to create an emotional 4-minute garage track.
There is an inherent duality in Alex Ridha. Onstage, Boys Noize subjects his audience to a musical experience that ranges from vitriolic, to cerebral, to robotic, and everything in between.
Three years ago Ultra Europe was little more than proof of concept, a viability test for the growing Croatian tourism industry and Ultra’s worldwide ambitions.
Instagram unveils its first-ever music handle, @music.